Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Thursday, February 11, 2010

A bevy of crayons

"I am going to work," said Mister Thumb.
Hold up thumb.
"Now who will go with me?"
Said Mister Pointer, "I will go.
Hold up pointer finger.
You need my help, you see."
And so they worked together
As happy as could be.
They made a lovely apple
In a big tall apple tree.
They made a little bluebird.
They made a sun for me.
Mister Pointer said, "I like to work."
Mister Thumb said, "I agree!"
Coloring with crayons is a traditional early childhood activity, and that is well-loved here at our house. Not only is a great creative outlet, but holding crayons helps children cultivate the small motor skills that will later help them have a functional pencil grip.

The typical box of Crayola stick crayons can be fun in their variety for older kids, but are often frustrating for the little ones. They're thin and break easily, and I've noticed my own wee ones seem a little more interested in peeling off the paper than in coloring with them. They seem less substantial, especially after using a block crayon or homemade muffin crayon, and just seem ill-suited for small hands in general.

For small children still using a fisted grip, block crayons and other chunky crayons such as homemade muffin crayons (see our handmade football crayons in the photo above) give them control they can't necessarily get with a stick crayon. Additionally, the broad strokes a child can make with a block crayon encourage a different style of drawing, one that is more focused on archetypal drawing and organic forms, and less focused on details and outlining. Personally, I think there is value in both, and my children have access to both types of crayons. Another advantage to the block crayon is that when a child is filling in a sky or a grassy landscape, it's a lot easier to do with the broad, flat side of a block crayon.

It is worth noting that block crayons, when first created, were never meant to be used by small children. They were created by two German art teachers for a very specific type of drawing technique used with children in fifth grade and beyond. Some Waldorf teachers have also made the argument that block crayons teach a child an immature and improper grip that later gets in the way of a functional pencil grip.

Crayon rocks are new on the coloring scene. They're made from soybeans and natural mineral colors, and according the website, they're designed to strengthen tripod muscles (thumb, first, and second fingers) and help prepare a child's fingers and hands for writing. They do crush and crumble easily, though, so beware of that.

Some other ideas to make coloring more enjoyable:
~ Make coloring an intentional experience. Say a little rhyme or verse before beginning-- there's one at the start of this entry-- and tell a little story or poem to set the scene. Color together sometimes, although beware of your child comparing their coloring to yours. It's great for children to have free access to art materials, but it's also great to set time aside to make it special. At our house, Thursday is coloring day, and has been for ten years!

~Make a coloring board. At the Waldorf school where we took our parent-child classes, the
children used a strong piece of cardboard covered with brown paper on which to color. Not only does this allow each child to have his or her own workspace and helps to keep crayon off the table, but it also serves as a perfectly smooth surface so that no dirt or imperfections on the table. A quick and easy substitute would be an old cookie sheet.

~Have a special place for your crayons. We keep ours in a Longaberger basket that was a wedding gift.

~ Round off the corners of the paper. This gives it a more organic and natural feel.

I'd love to hear how you make coloring a special experience!

Tuesday, February 9, 2010

Draw a house... draw a tree... draw a person..


Asking a child to draw a picture of a house, a tree, and a person is a pretty common assessment technique, and one I've been using with my own little ones for years. You can use it with anyone age 3 and up. There's actually an entire psychological evaluation centered around the exercise, but I don't quite take it that far, LOL!

The Waldorf community has a different take on the house--tree--person exercise. A 1999 edition of Gateways makes the following connections:

1. The house-- a picture of where the child is on earth. From that place the child goes out and comes in again in the process of meeting the world.

2. Tree-- indicates the child's connection with his etheric body... The tree is connected with the spiritual world and the earthly world, above and below. It is also a home.

3. Person-- shows the human being with an astral body. The house and tree in the pictures also indicate aspects of the human being.

I love the fat, round, tall characteristics of Nicholas's drawings. The lack of detail, the starkness, the archetypal quality to them. It's a fun exercise to keep these tucked away, asking for new ones to be drawn every once in a while.

Wednesday, January 27, 2010

Art: Allegory of California


We've gotten out of our art groove, but are jumping back into things with grand style, studying Diego Rivera's Allegory of California.

This gorgeous mural has a lot of history behind it, and was a great jumping off point not only for discussing the art itself, but also the idea of allegory. The kids enjoyed approaching the fresco like art detectives, searching out all the clues to its meaning.

And of course, we had to make a mural of our own!


Even Daniel got in on it!
And there it hangs, in all its splendor above our kitchen table: Allegory of the World!

Wednesday, December 16, 2009


We made these beautiful Nativity silhouettes from That Artist Woman today. Aren't they lovely?

Wednesday, May 13, 2009

Art Lesson: Don Manuel Osorio by Goya

This week we looked at Don Manuel Osorio by Francisco Goya. The children enjoyed looking for details in the painting-- especially the hungry look in the cats' eyes as they check out the bird!

The assignment for this one was simple-- draw a full figure portrait of yourself. Add details, color in the entire picture, and try to use correct proportions.

Obviously "correct proportions" in something we'll have to work on.

Wednesday, May 6, 2009

Art Lesson: People and Dog in Sun by Joan Miro




This was a fun lesson in abstract art. We looked at the painting "People and Dog in Sun" by Joan Miro. Without knowing the title, it was hard to know what the painting was about. Once we knew the title, though, we could find the people, the dog, the sun.

To make our own abstract art, they each drew an object on the paper. We then used rulers to lay out a 3 inch grid. They chose 4 or 5 colors and got busy. The rules were:
1. Change colors every time you come to a line.
2. Try not to have the same color side by side.

After the coloring was done, they outlined the object and grid in black.
Katie Grace made a sun.

I'm not sure what Nicholas made, LOL!
And Michael made a football, although he had lots of trouble with the color rules.

Saturday, May 2, 2009

Wool Roving art


1 felt board + 1 basket of wool roving (or, as we call it here, fairy fleece) = a cozy home on a sunny day!

Friday, May 1, 2009

Wet-on-Wet Watercolor Painting: Brothers!

This week, Daniel turned two and also painted his first wet-on-wet watercolor painting. Nicholas enjoyed sharing table space with him.
First, a poem:
I told the Sun that I was glad,
I’m sure I don’t know why;
Somehow the pleasant way he had
Of shining in the sky
Just put a notion in my head
That wouldn’t it be fun
If walking on the hill, I said
“I’m happy” to the sun.
--John Drinkwater

And then, a story about a bright golden sun shining down and warming the earth.

And then, we painted.

The poem inspired Nicholas to sing a little song:


And then Daniel and I had a chat:

Wednesday, April 29, 2009

Art Lesson: Snap the Whip by Winslow Homer

This week's art was "Snap the Whip" by Winslow Homer. It was a great opportunity to talk about perspective, the idea of repetition in art, and how objects look smaller when they are in the distance. We also talked again about foreground and background.

To create their own "Perspective Pictures," the children chose two colors of paper, one for the foreground and one for the background. They then each took an object (apples for Nicholas, flowers for Katie Grace, and footballs for Michael) and drew it in three different sizes. The added the most details on the largest object, and the least detail on the smallest. Then they added them to the foreground paper.


We also found this lovely sculpture and had fun duplicating Homer's painting by playing "Snap the Whip" ourselves.

For a more in-depth lesson on perspective, visit here.

Wednesday, March 25, 2009

Art lesson: Pointillism and Seurat

"La Grande Jatte" by Georges Seurat

This is one of my favorite paintings, so I really enjoyed sharing it with the kids. It was also the inspiration for one of my favorite musicals by Sondheim, Sunday in the Park with George, and I enjoyed sharing that with the kids as well.

There's some good information about the painting here and here, and some wonderful close-ups here.

We talked about pointillism and reviewed primary and secondary colors. The closeups of the painting really allowed up to see how Seurat used primary colors to create secondary colors. (Cue Sondheim's Color and Light.)

When it was time to paint, each child chose a different tool.

Michael used the eraser end of an unused pencil.
Nicholas used a q-tip.

And Katie Grace used her own fingers.

Nicholas's was very abstract. Katie Grace did a stage picture, inspired by the scenes from Sunday in the Park with George we watched and listened to as we painted. Michael's picture showed creativity and thoughtfulness-- it was "a futuristic space hotel".



"This is a world both real and unreal - a sacred world. We are often harried by life's pressures and its speed, and many of us think at times: Stop the world, I want to get off! In this painting, Seurat has "stopped the world," and it reveals itself as beautiful, sunlit, and silent - it is Seurat's world, from which we would never want to get off."
Sister Wendy

Wednesday, March 18, 2009

Art Lesson: When Do You Marry? by Paul Gauguin


This week, we studied this painting featuring Tahitian women and a vibrant Tahitian landscape ny the French Impressionist Paul Gauguin. It have us the opportunity to address two concepts: first, the idea of landscape and foreground and background in a painting, and second, primary and secondary colors.

It was an exercise in observation to notice the details in the foreground and background. Sky, mountains, hills, rocks, grassy meadow, and pond or river, this painting had a variety of landscape details to notice.

After observing the landscape, I gave the children only primary colors on their paper plate palettes.

After drawing their landscape outlines with a pencil, they got to work, creating bright colors from the red, yellow, and blue they were given.

Unfortunately, I don't have pictures of the final works of art, because my camera is missing. :(

"In art, all who have done something other than their predecessors have merited the epithet of revolutionary; and it is they alone who are masters." "Where do we come from ? What are we ? Where are we going ?" Paul Gauguin 1898

ETA: Found the camera! Here are our finished works of art:
Nicholas just sort of went to town. He had fun mixing colors though.

Katie Grace made on ocean scene, with waves, fish, sunshine, an island, and a volcano!


And finally, Michael made two volcanos with large palm trees. I think.

Wednesday, March 11, 2009

Art Lesson: Ballet School by Edgar Degas

Last week we looked at Degas' painting "Ballet School". We talked about pastels and how to make pastel colors, and also looked at the figure and form in the painting.

To make our painting, we first made pastel paints--in retrospect, I wish we had made them pastel-y-er--and used sponges to sponge a light background on our papers, overlapping colors as we went along.

We then drew some practice figures on scrap paper.

The next day, the children drew their figures with oil pastels on their sponge-painted papers.
Michael went with a football picture. Nicholas's background reminded him of an Easter egg hunt. And Katie Grace, of course, drew a ballet picture. You can click on the picture for more detail.

Besides lightening the pastels, the only other thing I would have done differently would be to have the children outline their figures with either a fine black marker, or black tempera paint and a thin brush.

For more about Degas, see:
http://www.artchive.com/artchive/D/degas.html

Monday, January 26, 2009

Art Lesson: The Goldfish by Paul Klee

We really enjoyed this one!


First we checked out Klee's The Goldfish. Be sure to check out the "Image Viewer" function; it's really interesting to zoom into different parts of the painting. Katie Grace said it reminded her of scratch art, and Michael liked the designs etched into the fish. We also enjoyed looking for other details in the painting, like smaller fish and seaweed.

So, first we used oil pastels to draw our fish. If you try this, be sure to press down nice and hard!

Add plenty of detail-- some smaller fish, seaweed, Nicholas even added a treasure chest!


Take watered down black tempera and cover the painting with long back-and-forth strokes.
When it dries, the oil pastels will shine through the dark paint.

I just realized I didn't take pictures of the final product. I'll try to do that tomorrow!

Thursday, December 11, 2008

Matisse's Goldfish

This week we took a look at Matisse's painting Goldfish.
We especially loved the detail of the fishies reflected in the top of the tank.
We wanted to observe some live goldfish, but unfortunately, we don't have any. We had to settle for YouTube instead.




After a brief period of making fishie faces, we broke out the markers, and here's what we came up with!

Michael's goldfish

Nicholas's fish. One has chicken pox, one is a "rocket fish" and another has an acorn on his head.

Katie Grace's goldfish